Recognized as one of the founders of visual-kei, Buck-Tick is influenced by the likes of David Bowie, Sisters of Mercy and Bauhaus, ...
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Home / Archive for September 2012
Interview: Steve Hogarth, Marillion
Hog's Eye I first saw Marillion back in 1983 at Brimingham Odeon. They were a special band: so different, so refreshing, so yout...
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Album Review: Marillion, "Sounds That Can't Be Made"
After what seems like an age Prog rockers Marillion have returned to the fold brimming with new ideas. From the opening eastern orchest...
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Revenge Recommends: "White" by The Cult
It is often the case that a demo version of a song will prove superior to the final polished version. As the song is pushed through pro...
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Live Review: Megadeth, Milton Keynes Bowl, 5th June, 1993
Expectations ran high that Megadeth would warm up the metal hordes eagerly anticipating the appearance of the awesome Metallica. Sadly, th...
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Interview: Chuck Schuldiner, Death
Post Mortem Chuck Schuldiner, vocalist and guitarist of DEATH, is anxious to clear his name. Armed with a new DEATH LP, called Hum...
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Album Review: Depeche Mode "Exciter"
With a name like a dubious aphrodisiac jelly, the latest effort by the ever-boyish Depeche Mode, promises more of the 'pervy' ly...
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Interview: Michael Lee, The Cult
Straight from the Horse's Mouth Since splitting from THE LITTLE ANGELS, drummer Michael Lee has come in for an awful lot of fla...
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Album Review: Alice in Chains, "Dirt"
Dirt is a wigged out eruption of riff-heavy psychedelia that is fleetingly reminiscent of a more pissed-off Kings X, focused through the...
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Interview: Patti Smith
Don't Call Her a Survivor The last time Metropolis spoke with storied muse Patti Smith was soon after 9/11. She'd come to Jap...
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