James McNew is back to pick up a new album and do some shopping.
It's been three years and a change of record labels since I last sat down in Tokyo with James McNew of YO LA TENGO. The bassist and occasional vocalist for the New Jersey Indie Rock Institution is glad to be back.
"I'll come to Tokyo for any reason," enthuses the bear-like McNew (pictured left), who last time posed with stuffed animals that he'd just picked from his favourite Japanese character design studio, San-X.
"They make things designed to appeal to nine-year-old girls-- and me. There's a lot of character mythology in Japan, and I began to appreciate that through these toys. I managed to meet some people who worked at this company, so I went to visit them. They seemed kind of frightened at first that I knew about them, but after a while they were touched that I had thought so much about what they had made. It was a very heavy philosophical afternoon."
Yo La Tengo was never able to realize McNew's dream of having San-X provide character goods for the Japanese promotional campaign for its previous album, I Am Not Afraid of you..., but McNew hasn't had much time to dwell on the disappointment. In the intervening years, the trio have toured extensively, worked on film scores, released a disc of covers under the name of KONDO FUCKS, and recorded their 12th studio album.
"We had always gone to studios, but when it came time to make Popular Songs, we decided to ask our producer of 16 years, Roger Moutinot, if he would be interested in packing some equipment in his car and driving to Hoboken," McNew explains about the new record. "This time we did it at home, and the sessions were just the three of us and Roger moving the microphones, wrapping up the cables."
McNew says it was a great feeling.
"The mental comfort of working at home and not worrying about the cost of every second ticking by at a recording studio, it allowed us to think about music and not to worry about studios and being away from home."
Homey or not, Yo La Tengo's music has always had an intimate quality. This is partly the result of the band consisting only of McNew and husband and wife unit frontman Ira Kaplan and drummer Georgia Hubley, and partly due to the hushed quality of much of their material.
Super-mellow acoustic outing, "The Fireside," is an example of this vein of Yola Tengo's music. But Popular Songs also contain some of the freewheeling psychedelic guitar jams (in the form of the 15-minute "And the Glitter Is Gone") that represent another familiar side of the band.
But perhaps most notable on the album are Yo La Tengo's forays into poppy, multi-part vocal harmonies and string arrangements of which the opening track, "Here to Fall," is one of the standouts.
"We don't think about that stuff," he says. "It's best not to canonise yourself while you're alive. While we're still breathing and working, I don't think we could ever think about posterity. All of us are very proud of the work that we've done, but we're all still very much interested in the future and not making a big deal out of the past."
Dan Grunebaum
Metropolis
16th October, 2009
"There are two songs that have full-blown string arrangements," McNew explains. "They were done by Richard Evans, a legendary producer from the 60s and 70s who worked on classic records by DONNY HATHAWAY and NATALIE COLE. He had this very psychedelic, soulful idea of pop songs. We were big fans and fantasised about adding strings. Richard was our number one choice. He's now in his 70s and had no idea who we were, but he was really excited to work with us."Despite the addition of strings, McNew says that in the 18 years he's been with Yo La Tengo, their songwriting has undergone little evolution.
"We've begun with directionless jams for a very long time, he says. I joined in 91, and learned all of their songs and we began to write this way for Electr-O-Pura in '95. We would just get together and play every day for fun just because we could. We would record on a cheap recorder, and if we heard an idea that we liked we would go back and find out what that was and that could be the beginning of a song."But McNew doesn't want to belabour the past or Yo La Tengo's status as indie rock elder statesman.
"We don't think about that stuff," he says. "It's best not to canonise yourself while you're alive. While we're still breathing and working, I don't think we could ever think about posterity. All of us are very proud of the work that we've done, but we're all still very much interested in the future and not making a big deal out of the past."
Dan Grunebaum
Metropolis
16th October, 2009
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